|
Who has seen him on the field, ensorcelled knight unvanquished
still? The envied sunset, lost to him, his fearsome sword bright bloodying? Or was he from the heavens cast ere human hymn to God was sung The Most High's first forsaken child uncrowned, unwinged by mortal eye? Did once his footfall sound a note not thunderous but light as spring His tidings not so dire as now but filled instead with sweet desire? Wherefore this breath of timelessness, this twilit ghost of memory And whence this similarity to images from ages past?
|
![]() John William Waterhouse, A Lamia |
|
He laughs, shaking off greenlit tears as if they were but shards of
glass No more than practicality, as though the only truth were wine Ruby and peridot in turn reflecting, dodge the source of light Mirror upon mirror diverts the moon, for still I see the moon Or what yet lies behind this face, inscrutable animation Carnival-bright, abysmal-dark, an aviary of feather masks Still flee before the wind of Time when other eyes, now long since closed Strip him naked with telltale art to clothe him but in older myths
|
![]() Edward Burne-Jones, Cupid and Psyche |
|
He almost seems a conjuration of the wild and hopeful heart How paradoxical, this proof of constancy in Fancy's court! How comforting to so dismiss him, oil on canvas, fable's child Fortuitous his apparition here and now in flesh and blood. More troubling and more lingering his tireless leaps from guise to guise In this, the clay no sculptor touches but the One who touches all What wound pours forth this constant fount of near-frenzied inventiveness And who, indeed, has not seen him, within her own soul's looking-glass? |
![]() John William Waterhouse, The Siren |
Return to Columbine's Poetry Index
Return to Columbine's Laboratory